Whoever you’re rooting for on The Voice aka The Game Show With Singing – stop. Just stop now. On Tuesday, Yahoo Music’s Reality Rocks confirmed that last season’s “winner” Craig Wayne Boyd was dropped from his label deal just FIVE MONTHS after his “victory.”
I believe I had that.
And in the show’s continuing smoke and mirrors hypocrisy, this news about Craig’s deal was known while he was making his “triumphant return” to the show and talking with host Carson Daly about his supposed post-Voice success.
So let’s update the record. That makes three “winners[1]” in seven seasons that didn’t actually get to make a record with the recording contract that was purportedly their prize. A fourth, Season 5’s Tessanne Chin, released an album that sold so few copies (7,000) that it virtually was a non-release. And the first winner Javier Colon has said that he got so little support from the show and his “record deal” that he would have been better off losing and having the freedom to promote himself.
History seems to be proving him right. The race to become the first breakout artist from The Voice aka The Game Show With Singing[2] is among people who didn’t come close to winning the show (with one exception) and have had the freedom to do without any “help” from The Voice:
- Melanie Martinez: Dollhouse video has 17m views on YouTube, album on Atlantic Records coming out this year, eliminated in Top 6, Season 3
- Avery Wilson: working with Clive Davis on an album with RCA, eliminated in knockout round, Season 3
- Matt McAndrew, #1 single on iTunes, signed to Republic Records, runner-up Season 7
- Judith Hill: touring with and being promoted by Prince, eliminated in Top 8, Season 4
If you’ve missed my prior rants about the show, here’s a sample:
- https://idolmusings.wordpress.com/2014/12/15/why-would-i-want-anybody-to-win/
- https://idolmusings.wordpress.com/2014/09/24/the-voice-season-7-first-musings/
As for the rest of this season, which is close to crowning a “winner”, be careful who you’re rooting for. You really don’t want them to win.
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[1] Jermaine Paul (S2), Josh Kaufmann (S6)
[2] That’s right. Seven seasons. Zero star artists.
My Favourite Albums of 2015
December 22, 2015In no particular order . . .
Should Have Been on the List for 2014 But I Didn’t Hear Them Until 2015
Gorgon City Sirens A really cool blending of house and synthpop with the smooth beats carried by an assortment of marvelous U.K. singers such as Katy B[1] and Laura Welsh, and the inimitable Jennifer Hudson.
Jungle Jungle Sleek, groove-driven, 70s-style funk from the U.K with a new millennium vibe.
These Should Be Obvious
Adele 25[2]
Adam Lambert The Original High[3]
Only Available in the U.K.
Kwabs Love + War[4] If there is a baritone-voiced angel in the heavenly realms, Kwabs is what it sounds like. As to his style, Kwabs says it’s “ultimately soul . . . taking from the things I love and that I’ve been listening to all my life (Aretha, Ella, Stevie) while having a place in the future.”[5]
Ella Eyre Feline Think classic Motown 50 years later and you get this album.
The Rest of the Best
Leaves’ Eyes King of Kings A concept album whose focal point is the sagas of Norway’s first king Harold. Majestic symphonies; massive metal guitars; soaring, angelic female vocals – when the Norse do folk music, it’s hardly of your Peter, Paul and Mary variety.
Darlene Love Introducing Darlene Love She’s the unaccredited voice of The Crystals’ 1962 hit He’s a Rebel, a member of the Rock and Roll Hall of Fame, and one of the subjects of the documentary Fifty Feet From Stardom. After five decades in the business – and by the business I mean the industry[6] – she has created a spectacular display of African-American vocal music – soul, blues, gospel and an occasional nod to the 60s girl groups. No disrespect to any of the current crop of pop stars – or aging classic rockers even – but it’s improbable that ANY of them will be able to sing like this when they’re 74 years old.
Lianne La Havas Blood Is she Folk? Funk? Rock? Pop? All of the above with a killer voice, too.
Florence + The Machine How Big, How Blue, How Beautiful The one-time quintessential modern baroque pop[7] diva is now the quintessential modern rock/soul diva.
Melanie Martinez Cry Baby It’s like Lorde and Lana Del Rey got together and wrote catchy pop songs about dark, disturbing, deranged, depressing teenage fantasies.
Disclosure Caracal Another superb groove-driven album from the U.K. that draws on house, R&B, and synthpop featuring vocals by superstars such as Sam Smith, Lorde, Miguel and The Weeknd, as well as My Boy Kwabs.
Duran Duran Paper Gods 80s-style synthpop is making a modern comeback, so why shouldn’t there be a fantastic and fun new Duran Duran album?
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[1] Her album Little Red was my favourite of 2014.
[2] See my review https://idolmusings.wordpress.com/2015/11/23/adele-25/
[3] See my review https://idolmusings.wordpress.com/2015/06/18/a-restrained-adam-lambert-soars-on-original-high/
[4] I was in the U.K. in October. After my work was completed, I had one goal: return with two copies of this album – one for me; and one for My Daughter Diandra.
[5] http://www.telegraph.co.uk/culture/music/new-music/11108995/Kwabs-New-Music.html
[6] Admit it. You were wondering when I was going to work that in.
[7] Think 60s bands like the Moody Blues; Blood Sweat and Tears; Procul Harum; or The Association.
Categories: Best Of, Mindless Rant or Intelligent Commentary
Tags: Adam Lambert, Adele, Katy B, Melanie Martinez
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